08:

Tamara Khlghatyan

Photographer

Photos from @tamarakhlghatyan

 
 

September 2022

It’s been over a year since my last interview; a ton has happened to say the least.

Today I’m chatting with Tamara Khlghatyan, an NYC-based photographer with a background in Linguistics. As with everything, I stumbled upon her Instagram profile and immediately loved her people photography.

Hello Tamar, before you start answering the questions below. What have you been up to this week?

I am just back from a weekend getaway with my friends. I had a good time off to recharge and recollect!

Can you tell us a little bit about yourself? Where were you born and grew up?

I was born in Gyumri. It’s a small city in Armenia. It is a country rich in culture and traditions, and some of these traditions I just never agreed with, so I always needed to leave and seek experiences outside of it.

I grew up in a pretty open and supportive family but being just an artist wasn’t an option. I always say back in time in Armenia, you had to be a doctor, a lawyer, or a failure, so very few people would do whatever their hearts wanted. I got accepted into university to study translation studies, and a year after, I traveled to the states for the first time as an exchange student. It was a whole new world to me, like in Aladdin’s song.

When I was back, I was lucky to have friends who were talented painters, musicians, photographers, and actors with whom I would hang out. They helped me a lot to survive my university years. I would skip classes to spend more time with them in their studios or on rooftops, just listening to them play or rehearse. I loved being around that creative energy.

I picked up a camera for the first time when I was 25-26 after I paid my dues to my parents.

You're a self-taught photographer. How did you get into photography and what tools helped you learn?

When I was in my last year at the university, I decided to take time off and do some soul searching. I left for Greece for a year as a volunteer to work on a project. It was a shocker to my family because girls don’t just take time off from their universities. They graduate and work on their careers, so I had a year to figure things out.

In the beginning, I didn’t have many friends or things to do, so I would find myself bored wandering the streets of the small island. My friend gave me her camera one day and said I should try to have fun with it. I went out and, honestly, came back with the card full of photos of flowers, trees, and the most bizarre stuff, but I was very proud. The next day I went again, but this time I was curious to shoot people. I remember I shot this gentleman in a baby blue hat sitting in front of a blue building. When he saw me photographing him, he started cursing and throwing stuff at me. I just kept shooting him and loved it. I kept going back to the streets doing more of that. I have started reading and watching documentaries and doing photo walks with other photographers. Two months later, I used my small savings and bought a used canon 450.

I remember thinking that now that I have this serious camera, I need to work on serious projects. I convinced the head of the elderly center to let me work on a photo story there. I would go there every day and shoot for hours and interview older people for stories, and then sometimes I would go to finish the story but would find out that the person was no longer alive.

But it was in that period when I knew that photography is all I love and all that is permanent for me.

To everyone just getting into photography, I would advise shooting as much as possible with whatever camera you have. I know we all have the pressure of finding our voices and defining our styles, but you only do it after going through so many layers of experiments and experiences. Hang out with artists, ask questions, do shoots with your friends and say yes to all the ideas in your head, no matter how crazy they may seem to you

 

I love people. I love to study them. People are the most complex subject to work with

 

I love the juxtaposition between the people you shoot in the studio vs at an LGBTQ rally. Why do you love shooting people?

I love people. I love to study them. People are the most complex subject.

It’s fun to shoot in the studio. I think it flexes different creative muscles (and I am doing my best to develop those muscles now). You need to work on a good mood board, make-up, styling, and the concept otherwise, all your photos will look the same and won’t make sense.

Streets are different. Everything is there. You must observe and wait for that moment (the decisive moment, Henri Cartier-Bresson would say). Shooting on the streets taught me to pay better attention and see moments and people in ways others don’t. Yes, my photos can be too raw, too depressive, and too open (that’s how people mostly describe them), but I think enough people are shooting cute stuff. I want to shoot things and moments that may not happen directly to us but are happening around us, and it’s our job as photographers to show them.

Everyone talks about the creative energy of NYC. What is it to you?

I always say New York is a library. Every borough inspires you and moves you in a way. NY is a muse itself.

Speaking of creative energy, who should we follow on the Gram, who is doing wicked things?

What did you learn the most about yourself during the tumultuous Covid period?

I would love to say adaptability or patience, but no. I need people, and I need to be on the streets. I am just that annoying extravert, and I have learned to be OK with that.

They say a picture is worth a thousand words. What do your photos say?

I hope my pictures say it. If not, then I still have a lot of work to do!

What do you think of NFTs, and will we see your photos on the market?

I honestly don’t think about NFTs.

As for the market, for now, I try to create and grow in my photography and find my voice without any external pressure!

 
 

Where was the last place you went on holiday?

I visited Chicago a week ago. I was looking forward to exploring it inside out with my camera, but my broken leg had a different plan for me, so I just took it easy. I liked it there. It’s tough to love other cities after NY. We are like spoiled kids.

Music gets me going, especially creatively. What are the last 5 songs you streamed on Spotify?

If you weren't a photographer what would you be doing, and why?

Hmm, I would probably be in branding. Def something creative and challenging.

 

Now, here are some quick-fire questions. Espresso or Latte?

Espresso always!

Morning person or night owl?

Night owl

Beach or Countryside?

Beach

Dolma or Chikofte?

Vegetarian dolma

Brooklyn or Manhattan?

Brooklyn all the way!

Summer or Winter?

Summer!

Color or Black and White?

Black and white!

Hasselblad or Leica?

Hmmm

 

Film or digital?

Both

Lastly, finish the sentence. "A good day in NYC is…"

…to finish the day without being cursed :D

 

Check out Tamara’s dope work on her website. And follow her on Instagram @tamarakhlghatyan

Cheers mates!