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05:

Nadia Wamunyu

Visual Artist

Photos from @nadeartist

 
 

March 2021

Wow, it’s been a year since the last interview. And a year since Covid turned our daily lives upside down. I’ve started a new job, figuratively pulled my hair out trying to parent and work simultaneously. Shout out to my therapist, missus, and kid for helping me keep my sanity.

Our conversation today is with Nadia Wamunyu, a dope visual artist who lives in Nairobi, Kenya.

Hello Nadia, before you start answering the questions below. What have you been up to so far today?

I have been doing well and pretty busy. I’m working on some projects.

Can you tell us a little bit about yourself? Where were you born and grew up?

I am 27 years old, and I started drawing as soon as I was old enough to hold pencils and watercolors. My mum bought me watercolours and brushes, and I started painting casually in the house from the age of three years. It was my way of withdrawing since most children could not understand me (according to my dad). My inspiration was my dad; he encouraged me to work with my hand as I was disadvantage by my disability. I have a condition called profound hearing loss, and I can barely hear without wearing hearing gadgets. I always tell my clients to be loud when talking to me. I lost my hearing at the age of three after a strong dose of antibiotics was administered by a doctor, so my twin sister Sadia Wambui became the family's chatterbox. I was born and grew up in Nairobi.

Photo by @wafvla

Photo by @wafvla

You've said you believe you were born to be an artist. Please tell us more?

I strongly believe that I was born an artist. The universe neglected my hearing but gave me sight and mind to work with. My art is an expression of myself. At the tender age of eight, I realised I could record my memories, experiences, tastes, and feelings through drawing. Now, people understand my perspective, how I think, my vision, and desires much more effectively. My art feels like a relief from the stress of vocal communication that I struggle with. My wild brush is the only tool that complies with the dance of my soul's rhythm with every motion and brush stroke I make.

 
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Without a full face to look at, the women could be anybody, leaving the viewer to superimpose their own person

 

You're a contemporary artist. What is the contemporary art scene in Nairobi?

I am a well-established contemporary visual artist based in Nairobi. The contemporary art scene in Nairobi is in the midst of intriguing change and growth. Now artists have decided since no one is doing this for us, we will have to be the ones preaching the gospel of art. The middle class will find that more Kenyans are buying art, the art scene is growing, and everything is in transition.

I lived in Dar Es Salaam, not too far from Nairobi, but I never spent time in your city. What are two great things about living and working in Nairobi?

Wow, even I have never been to Dar Es Salaam before. Okay, well, you get cultured at the museums and art galleries and make a living, but you’ll earn more here than anywhere else in Kenya.

You've said your art is an expression of yourself. Does your art influence your personality or vice versa?

Yes, my art influences my personality. I could record my memories, experiences, tastes, and feelings through drawing. Now, people understand my perspective, how I think, my vision, and desires much more effectively. I work myself.

Can you tell us about your Mask series? How did the idea come about?

My ideas came from quarantine things because people stayed home and wore masks most of the time. The wearing of masks relates to the current Covid-19 safety measures. Without a full face to look at, the women could be anybody, leaving the viewer to superimpose their own person. Seen only from the side, the arms quiet, with no dramatic gaze, there's a quiet. This contrasts with the bold blues, browns, curves, and lines that form her hair and body. I think I particularly like the blue because it's the color of water, and the color we so often seen is associated with healing. The wonderful brown you see is ink, bleach, charcoal, watercolours, and coffee.

Art can have a profound impact on people and society. Where does your art sit at this intersection?

The artist is society’s third eye. My art does not only decorate society. It also expresses emotions, struggles, desires, and, most importantly, my perspectives.

We're all influenced by others. What is the one big influence that drives your work?

Working in different spaces, engaging with the international community, and drawing/painting environments and cultures will give me new experiences that play a huge role in the practice.

 
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It's now been a year since the lockdown. In what way has this insane period changed your work/life?

It changed or influenced my perspective by interacting with a new environment and being surrounded by a totally new audience. My achievement shall be evident in my approach to my materials and how I shall be interpreting my subjects.

What is the one piece of life advice you would give your younger self?

Women’s freedom of speech, profiling, and identity. Being in love with their body or who they are.

Suppose you had a huge platform, unlimited budget, and creative freedom. What would be your dream art project?

My dream art project would be to open a massive project for my solo exhibition, but I’m currently working on more Women’s body of works and planning to open my own gallery.

Where was the last place you went on holiday?

The last time I went to Malindi and Watamu last year after Christmas. I really needed more time and have peace.

If you weren't an artist, what would you be doing, and why?

I am guessing that you mean earning a living from being an artist. I have never sold any pictures and don’t really want to. The trouble with making a living from painting is that to sell; you have to pander to popular taste. It might sound like an easy life selling piece, but it is like most jobs. It involves repetition and sometimes painting things you are not very interested in. I know of an artist who earns quite good money but wishes that someone didn’t have to paint yet another landscape with crashing waves, just because they sell really well. So the kind of artist I would like to be does not have to make things that are nice and pretty for money. I like to paint and draw things that many would find apocalyptic, depressing, political, and reflecting things that make me angry or sad. I need to keep my day job.

 
Photo by @wawero_

Photo by @wawero_

Now, here are some quick-fire questions. Denzil Washington or Will Smith?

I’m a huge fan of both of them. So, I chose Will Smith he’s so funny though

Morning person or night owl?

Both

Masai Mara(Safari) or Lamu (Beach)?

Lamu (Lamu is my vibe)

Los Angeles or London?

London

 

Jean-Michel Basquiat or Kehinde Wiley?

Kehinde Wiley

Ugali or Pilau?

Ugali

Tea or coffee?

Coffee

Elephant or Lion?

Lion

Acrylic paint or Watercolors?

Watercolours

Lastly, finish the sentence. “Kenya…”

…so magical and proudly.

Photo by @adamshutter

Photo by @adamshutter

 

Check out Nadia’s work on her website. And follow her on Instagram @nadeartist

Cheers mates!